<div><p></p>
<p>Occupying the former tea house’s every nook and cranny, they reveal the artist’s personal folklore</p>
<p></p></div>

Stuart Munro

Sanya Kantarovsky’s painted spirits haunt Taka Ishii’s new gallery in old Kyoto

<p>Sanya Kantarovsky<br>‘After birth’<br>Taka Ishii Gallery Kyoto<br>Until May 27</p>
<p>Sanya Kantarovsky is represented by <a href="https://www.artbasel.com/catalog/gallery/1803/Modern-Art">Modern Art</a> (London), <a href="https://www.artbasel.com/catalog/gallery/1191/Luhring-Augustine">Luhring Augustine</a> (New York), <a href="https://www.artbasel.com/catalog/gallery/1448/Taka-Ishii-Gallery">Taka Ishii Gallery</a> (Tokyo, Kyoto, Gunma, Hong Kong), <a href="https://www.artbasel.com/catalog/gallery/36059/Capitain-Petzel">Capitain Petzel</a> (Berlin).</p>
<p>Stuart Munro is a writer based in Tokyo.<br></p>
<p>Published on April 28, 2023.</p>
<p>Captions for full-bleed images:&nbsp;Installation views of Sanya Kantarovsky’s exhibition ‘After birth’ at Taka Ishii Gallery&nbsp;Kyoto, 2023. Courtesy of the artist and Taka Ishii Gallery.</p>

title_style_2

<section><section><main><div><section></section><section><section><main><div><section></section><section><div><div><section><main><div><div>
<p>Deeply invested in bioethics and disability activism, the Canadian artist’s work explores bio-ritualism, ecology, and the medical-industrial complex through a lens of personal experience<br>

<br>

</p>


<p></p>

</div> </div><section></section></main></section></div></div></section></div><section></section></main></section></section></div><section></section></main></section></section>
<section> <section></section></section>

Stories

How I became an artist: Sharona Franklin

<section></section>
<section> <section><main><div><div><section></section><section> <section><main><div><div><section></section><section><section><main><div><section></section><section><section><main><div><section></section><section><section><main><div><section></section><section><section><main><div><div><section></section><section><section><main><div><div><section></section><section><section><main><div><div><p></p>
<p>With an installation on view at the 14th Gwangju Biennale and an exhibition at ICA Watershed opening in May 2023, the artist talks about creating space to heal through his art</p>
<p><br>

</p><br><p></p>
<p><br></p></div> </div><section></section></main></section></section></div> </div><section></section></main></section></section></div> </div><section></section></main></section></section></div><section></section></main></section></section></div><section></section></main></section></section></div><section></section></main></section></section></div> </div><section></section></main></section></section></div> </div><section></section></main></section></section>
<section> <section><main><section></section></main></section></section>
<section></section>

For Guadalupe Maravilla, optimism is the first medicine

<section></section>
<section> <section><main><div><div><section></section><section> <section><main><div><div><section></section><section> <section><main><div><section></section><section><section><main><div><div><section></section><section><section><main><div><section></section><section><section><main><div><section></section><section><section><main><div><div><section></section><section><div><div><section><main><div><div><div><p>In the first interview in a new series dedicated to artists’ work beyond art, we speak to Yto Barrada about her vision for The Mothership, a community-led research center grounded in the Moroccan landscape<br></p>
<p></p></div></div></div><section></section></main></section></div></div></section></div> </div><section></section></main></section></section></div><section></section></main></section></section></div><section></section></main></section></section></div> </div><section></section></main></section></section></div><section></section></main></section></section></div> </div><section></section></main></section></section></div> </div><section></section></main></section></section>
<section> <section><main><section></section></main></section></section>
<section></section>

Yto Barrada on fixing the world with a dye garden

Occupying the former tea house’s every nook and cranny, they reveal the artist’s personal folklore

藝術世界

BANNER

Badgirl

BNM - Banner Module

Artworks

credits

H2 - Headline title

Information module

Join the Art Basel community and get closer to the artists, ideas, and cultural moments shaping art today—at our fairs and beyond.

Discover what moves the art world

Connection Error

Adjust artwork hanging position based on the Y-Axis. The higher the number the higher the position. We recommend looking at the preview mode first to see how it looks at 0 value. This does not apply to artworks with solid color backgrounds.

Artwork Title

Type Title here

On view at the fair 

Enable if this artwork can be seen during the show

View on Wall Options

Select a thumbnail to preview and crop

Header image crops

Header Image

Header Theme

<p>Please upload an image that is at least 2000px in width or height in either a PNG or JPG format. Please ensure all images are in sRGB format to ensure proper color representation.&nbsp;</p>

Welcome,

Discover more related content below:

Discover what moves the art world