‘Vulnerability is a political act’: curator Alexie Glass-Kantor on Art Basel Hong Kong’s Encounters sector by Doretta Lau

‘Vulnerability is a political act’: curator Alexie Glass-Kantor on Art Basel Hong Kong’s Encounters sector

Doretta Lau
Her 2019 edition ‘Still We Rise’ gathers ambitious works addressing the now
Simon Starling, Project for a Floating Garden (After Little Sparta), 2011/2015. Courtesy of the artist and neugerriemschneider, Berlin.
Simon Starling, Project for a Floating Garden (After Little Sparta), 2011/2015. Courtesy of the artist and neugerriemschneider, Berlin.
Simon Starling, Project for a Floating Garden (After Little Sparta), 2011/2015. Courtesy of the artist and neugerriemschneider, Berlin.
Chiharu Shiota, Where Are We Going?, 2017. Courtesy of the artist and Templon, Paris.
Chiharu Shiota, Where Are We Going?, 2017. Courtesy of the artist and Templon, Paris.
Chiharu Shiota, Where Are We Going?, 2017. Courtesy of the artist and Templon, Paris.
2018 李昢於柏林馬丁葛羅比烏斯博物館 「Lee Bul: Crash」 展覽現場。李昢《Willing To Be Vulnerable - Metalized Balloon》(2015–2016)。圖片由 Mathias Völzke 提供
2018 李昢於柏林馬丁葛羅比烏斯博物館 「Lee Bul: Crash」 展覽現場。李昢《Willing To Be Vulnerable - Metalized Balloon》(2015–2016)。圖片由 Mathias Völzke 提供
2018 李昢於柏林馬丁葛羅比烏斯博物館 「Lee Bul: Crash」 展覽現場。李昢《Willing To Be Vulnerable - Metalized Balloon》(2015–2016)。圖片由 Mathias Völzke 提供
Latifa Echakhch, La dépossession, 2014. Courtesy of the artist and kamel mennour, Paris and London.
Latifa Echakhch, La dépossession, 2014. Courtesy of the artist and kamel mennour, Paris and London.
Latifa Echakhch, La dépossession, 2014. Courtesy of the artist and kamel mennour, Paris and London.
Tony Albert, Native Home (detail), 2019. Courtesy of the artist and Sullivan+Strumpf, Sydney and Singapore.
Tony Albert, Native Home (detail), 2019. Courtesy of the artist and Sullivan+Strumpf, Sydney and Singapore.
Tony Albert, Native Home (detail), 2019. Courtesy of the artist and Sullivan+Strumpf, Sydney and Singapore.