<p><span style=""></span></p><p><span style=""></span></p><p>Ahead of the Miami Beach show, he shares his highlights, thoughts on art fairs and what he gets up to on Sundays</p>

Jeni Fulton

‘Art Basel is a platform and an engine for progress’ says new CEO Noah Horowitz

<p><strong>This year marks the 20th anniversary of Art Basel Miami Beach. What are you most looking forward to as the new CEO, and as someone who knew the fair intimately in your previous position as Art Basel’s Director Americas?</strong></p><p><strong>Noah Horowitz: </strong>I’m really&nbsp;<strong></strong>looking forward to returning to Miami Beach and watching the city come alive again, with the events staged by the museums and the private collections. To reconnect with everybody on the ground there and see the new look of the fair since I left. Meridians, our sector dedicated to large-scale artworks has become an integral part of the show, and we’ve finessed its look and feel. There are 289 galleries participating – our highest number ever – and amongst them many exhibitors that I haven’t worked with before, and who I look forward to getting to know. The continued evolution of the Miami Beach Convention Center (MBCC) which was a renovation project that I led; now coming back and seeing it really flourishing will be another highlight.</p><p><strong>The Miami art scene has evolved substantially over the last two decades, what changes are you most inspired by?</strong></p><p>I’m inspired by how the community has come together and sees itself as a progressive, global hub fostering great art, architecture, and design – as a city of culture at the highest possible level. This is not just through its museums and art institutions, but also in terms of funding: voters recently endorsed a $159 million funding program benefitting the city’s 16 arts and culture facilities, with, for example, $20.1 million going to The Bass to fund a new wing. </p>

<p>Would he like to expand his business in Paris? It is already the case, he says, by way of off-site exhibitions, such as the Carla Accardi show organized at Le Corbusier’s jewel of a building, Maison La Roche, for the first edition of Paris + par Art Basel. He plans to pursue other exceptional projects like this ‘fine example of how art dialogues with architecture.’ This is without doubt one of his mantras – the white cube is not really for him. ‘Architecture is one of the key elements of our activity.’ </p><p>In each city where he has installed a gallery, De Carlo has selected sites charged with soul. Since 2019, his gallery in Milan has been located in the Casa Corbellini-Wassermann, an icon of 1930s architecture, replete with marble and woodwork. ‘We’ve had it with the cliché of the minimalist space, where the art is supposed to be the sole actor,’ he affirms. In London, he has just restored a Mayfair apartment whose walls he painted a luminous sea-green – the original color dating back to 1723, unearthed in poor condition. ‘Maybe it’s too green? In any case, we’re happy we did it! Our artists adore this kind of context, and that’s all that matters.’</p><hr /><p>Emmanuelle Lequeux is a journalist based in Paris.</p><p><a href="https://www.artbasel.com/catalog/gallery/1104/Massimo-De-Carlo">Massimo De Carlo</a> will be part of the&nbsp;Galleries and Kabinett sectors in the upcoming edition of Art Basel Miami&nbsp;Beach,&nbsp;from December 1 – 3, 2022.</p><p>Caption for full-bleed images:&nbsp;Massimo De Carlo by Bettina Pittaluga for Paris+ par Art Basel, 2022.</p><p>English translation: Jacob Bromberg</p>

<p><strong>How is the creation of this role a signifier of shifts in the art fair landscape?</strong></p><p>As we extend beyond our 50th anniversary – and celebrate 20 years now in Miami Beach – we have become more than just a fair. Art Basel today is an integral touch point for the global art world, a platform for building artists’ markets and supporting galleries in the broadest sense.  </p><p><strong>What advice would you give to someone attending Art Basel Miami Beach for the first time?</strong></p><p>Try to cover the fair from top to bottom, let your own interests guide you, and take in as much as you can. Set aside some time to come back over multiple days – I think that’s important because it’s quite overwhelming. Also make sure to see some of the other great museum, private collection, and gallery shows in Miami during the week. And don’t forget to spend some time outdoors – swimming, biking, jogging, paddle boarding, whatever gets you going. The city has so much to offer, it’s a truly special week. </p>

<p><strong>What is the first piece of art that inspired you?</strong></p><p>I had a <em>Black Cross</em> by Kazimir Malevich in my childhood bedroom, which is still there. The early 20th century avant-gardes were where I got my start – Malevich, Mondrian, Moholy-Nagy, Duchamp – this idea that there was some other alternative reality out there for what art could be. The Mondrian show at the Fondation Beyeler in Basel earlier this year was inspiring in this regard. </p><p><strong>What is </strong><strong>the last show you saw and loved?</strong></p><p>The Ragnar Kjartansson show with Luhring Augustine at their space in Chelsea, New York, which is on right now. It is just extraordinary. I walked in and stayed for the whole 30-minute cycle of the piece. He’s an artist that I’ve followed for years. Just being in an environment like that – the three-dimensional reality and operatic quality of the work – is incredible, a powerful reminder of art's transformative power.</p><style>@font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}@font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-536859905 -1073732485 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:8.0pt; 	margin-left:0cm; 	line-height:107%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri",sans-serif; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi; 	mso-ansi-language:EN-US;}.MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:11.0pt; 	mso-ansi-font-size:11.0pt; 	mso-bidi-font-size:11.0pt; 	font-family:"Calibri",sans-serif; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi; 	mso-ansi-language:EN-GB;}.MsoPapDefault 	{mso-style-type:export-only; 	margin-bottom:8.0pt; 	line-height:107%;}div.WordSection1 	{page:WordSection1;}</style><p><strong>And where can we find you on a Sunday?</strong></p><p>In New York City, somewhere between kids’ sports commitments, dim sum, and a museum.</p><hr /><p>Caption for full-bleed images: 1. Paris+ par Art Basel, 2022. 2. Art Basel Miami Beach, 2021.</p>

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Stories

María Magdalena Campos-Pons' unspoken stories

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20 years of Art Basel Miami Beach: The ripple effect

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Queer icon and Francis Bacon confidante: an interview with Maggi Hambling

Ahead of the Miami Beach show, he shares his highlights, thoughts on art fairs and what he gets up to on Sundays

Welcome,

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