How galleries, intellectuals, and patrons have shaped contemporary Indian art
In the absence of institutional structures, ‘the gallery was taking the place of a museum’
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![Left: Krishen Khanna, Who is it?, n.d. Right: N.S. Bendre, Untitled (Mother and Child), n.d. Khanna was a Mumbai’s Progressive Artists Group, while Bendre was part of the Baroda group. Both works were presented by DAG Gallery at Art Basel Hong Kong 2015.](https://dza2a2ql7zktf.cloudfront.net/binaries-cdn/dqzqcuqf9/image/fetch/q_auto,dpr_auto,c_fill,f_auto,w_auto/https://d2u3kfwd92fzu7.cloudfront.net/asset/cms/Art_Basel_India_ecosystem_Experimenter_PIONEERS.jpg)
In the absence of institutional structures, ‘the gallery was taking the place of a museum’
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