“The Waves” is the most intimate, personal work of Han Feng. It was produced without much mental elaboration, or in his words, “in a calm mental status”. In “The Waves”, however, you can see rigid lines that incarnate the clashes between surging and ebbing; the silhouette is almost mechanical, showing persistence even when the colors are faded away. However, even “The Waves” assumes a calmness, as if there is not much emotion or warmth in it, just like the sea waves, it surges, ebbs, re-surges, re-ebbs, before it finally fades away.
