The performer’s behaviour is exposed in the over-amplified context under the double ‘control’ of the surveillance and filming camera, whereas his negligence is utterly accentuated by those facilities acted as ‘surveillants’. Being perceptively monitored atmosphere is floating among the parallel space while the performance oriented under the guidance of the standardisation is implemented systematically, the consequent outcome effected by the dual psychological constraints reflects the contemplation towards the recessive definition of standardisation.
