Patricia Perez Eustaquio’s intention was to blur the image of the object: to look at it so closely that one is confronted with its surprising textures, its folds and valleys. The significance was to examine the insignificant. In such macro- views, the world becomes abstract. Things start to look the same, whether they are flesh, paint, flowers, bones. In this series of works, she has shifted the focus from the objects of still lifes to paint, the medium in which they are rendered. Diptych, Dimensions noted are for each panel.
