Two shelves of Scandinavian design from the 1960s display collages made from decoupages and superimposed views of some of Mollino’s interiors, decors and bachelor flats, occasionally rendering them unrecognizable. The piece that is most probably emblematic of the show is Discrepancies with Carlo Mollino, the work trough which the entire project came into being and by which Antunes breaks free from the venue and affirms once and for all her independence vis-à-vis the Italian architect.
