Jerónimo Elespe paints every day, or rather every night, and he tends to work on many paintings, 20 to 30, at once. They’re kept in cardboard boxes and the artist examines them periodically, in a free rotation, to seek a new look that could add something to them. This process, which can take years -even for the smaller formats- can be grasped as a kind of slow sedimentation of the painters glance in time.
