Gerold Miller’s series set. represents a shift in the work of an artist concerned with the most fundamental questions of sculpture, relief and painting. For the first time, he closes his sculptures completely to create a rectangular wall object that resembles a painting. Each piece presents an identical subject, elaborated in different combinations of high-gloss car lacquer. These visually concise works show Miller’s further development of a vibrant combination of painting and sculpture, using high tech materials that originate in industrial production.
