The transformation starts from feet to drawers. The transformation of the rest of the body was omitted. I imply that these transformed objects (drawers and body) resemble families living in their houses. The function and the form of a drawer draws a connected line with a house: on one hand, a drawer is the container for family stuff for people who live in the same house; on the other hand, the memory and history of a family printed in life are the same as the smell from the drawers in time passing. I simplify the form of ‘moving home’, and simplify the motion of ‘family’ in the way my drawer feet are walking on a city road.