上茶系列的艺术创作则是对水墨问题的终结，彻底走出水墨，通过一个本来非常纯粹，又无直接意义的装置行为，传达超越日常观念的思想认识，所呈现的是一种重新认知的形而上的有无关系，并探索其置于不同自然文化语境中的多重关系与可能性，以及他在新的时代背景下对当代艺术问题的思。
Feeding Tea demonstrated the end of his concern about issues of ink wash. Dissociating from ink wash, the artist showcased his thoughts and awareness beyond the everyday viewpoints through an installation-based performance that’s naturally conceptual yet not directly conveying any messages. All of it was to present a sort of metaphysical relation re-recognized and to look into its multiplied relationships and possibilities in the naturally cultural context in addition to the artist’s reflections on the contemporary art under the circumstances of the new era.
