Widely known as one of the most important artists of the 20th century, this presentation features the first known example of Lucio Fontana’s iconic slashed canvases transposed into an architectural element. The first ‘Ambiente spaziale’ was created in 1949. This series represents a pioneering example of installation and laid the foundations for his architectural-environmental kind of work. Fontana’s monumental Ambiente spaziale con tagli (1960) is a resplendent example of the artist’s quest for an unknown dimension, a middle way between architecture and painting. Six dramatically rendered incisions perforate a thick white plaster, providing a tangible means for exploring the relationship between cosmic and material space. Originally executed as a ceiling for the house of Antonio Melandri, a well-known Milanese collector and property developer, this extraordinarily innovative work was followed by further ‘spatial environments’ created by Fontana for private residences and public spaces. These eventually culminated in Fontana’s renowned ‘white room,’ shown at the Italian Pavilion of the 1966 Venice Biennale.