Following recent eruptions around museums' treatment of race, class, gender, and more, writer and editor Brian Droitcour looks back at how artists and curators approached new strategies for display
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Jennifer Steinkamp, Retinal, 2018, a two-channel nocturnal video installation shown in Open Spaces Kansas City. Courtesy of the artist and Lehmann Maupin gallery; photo by Jennifer Steinkamp.
Dawn DeDeaux, Free Fall: Prophecy and Free Will in Milton’s Paradise Lost, 2018, installed in Swope Park as part of Open Spaces Kansas City. Courtesy of the artist; photo by Chris Alfieri.