Why I Collect: Miwa Taguchi

Meet the Japanese patron using her family's collection to inspire future generations

Miwa Taguchi in front of Haroon Gunn-Salie's work Senzenina (2018), on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.
Miwa Taguchi in front of Haroon Gunn-Salie's work Senzenina (2018), on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.
Miwa Taguchi in front of Haroon Gunn-Salie's work Senzenina (2018), on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.
Miwa Taguchi in front of Donna Huanca's work HANGISI (2017, left) and Xavier Veilhan's work Manfredi (2018-2019, right). Both works are currently on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.
Miwa Taguchi in front of Donna Huanca's work HANGISI (2017, left) and Xavier Veilhan's work Manfredi (2018-2019, right). Both works are currently on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.
Miwa Taguchi in front of Donna Huanca's work HANGISI (2017, left) and Xavier Veilhan's work Manfredi (2018-2019, right). Both works are currently on view in 'SMBC meets Contemporary Art “Come take a look!”', Sumitomo Mitsui Banking Corporation East Building, Tokyo, February 2022. Photo by Christoffer Rudquist for Art Basel.

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